This article posted with permission from The Writers Store. (http://writersstore.com) The three act structure is not a story structure. You can’t find it in myths and legends or other great stories of the past and you can’t find it in nature. So why is it being applied to the screenplay or the story of a [...]
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Testimonials“Michael is a forward-thinking publisher. His company provides a great environment for authors.”
Sheldon Bull , Writer , Elephantbucks.com
Elephantbucks.com“Michael is an astute publisher who knows how, with his colleague Ken Lee, to take care of a writer and promote his work in innovative ways. Working with him has been a very pleasant learning experience. I highly recommend him in any of his endeavors.”
Paul Chitlik , Professor , UCLA
RewriteMentor.com“Michael is a great documentary film maker!”
Alan O'Hashi , Festival Director, Boulder Asian Film Festival
Alanhashi.com“Michael is a top quality film and video professional, equally expert in tapping new trends in the fast evolving marketplace and in connecting effectively with the consumer. I value his skills as a producer and a collaborator and look forward to working with him again.”
Nora Ryan , SVP, Marketing , Showtime Networks
Nora Ryan“Michael and I were in many team meetings that planned the overall "on-air" marketing strategy and program planning "glue" that is interstitial programming (tune-ins, animation, bumpers, promos, shorts, interviews, etc.). I worked closely with Michael, as program research director, in helping determine what the goals and success metrics of that programming were from consumer perspective. I remember specifically Michael's ability to accommodate the needs of so many different departments within Showtime leveraging the interstitial programming as an asset. I learned a lot from him, as well. His creative, executional and managerial insight were impressive and I recall in what high regard he was held.”
Jerilyn Kessel , Director Program Research, Showtime Networks
Jerilyn Kessel“Michael is a wealth of knowledge, insight and inspiration. I have worked with him as a publisher (of my books) as a director (I was consultant and co-producer) as writer (he has written novels, screenplays and some amazing books on filmmaking) and as a student (when I was teaching). No matter Michael's role, or mine, Michael has always led me to a greater understanding of the filmmaking process. His insights are amazing, his knowledge is deep and valuable and his passion and persistence always inspire the rest of us to overcome the constant flow of obstacles. I highly recommend Michael as a participant and ally in any project.”
Mark W Travis , Creative Consultant
Mark W Travis
MarkWTravis.com“Michael, as a filmmaker himself, understands more than other publishers the artistry of TV and filmmaking. It was my great pleasure and honor to have him and MWP publish my humor how-to, WHAT ARE YOU LAUGHING AT? The creative freedom and support he gave me were idyllic.” Ja
Brad Schreiber , Vice President, Storytech Literary Consulting
BraShcyber.com"I've read many of Michael Wiese's line of books, and I haven't found a clinker among 'em. The writers are people in the trenches, people who've been there and done that. Further, they've come out the other side wiser, braver, and willing to share their insights. Since the bewildering field of film slides between craft and art, a new or experienced filmmaker needs some maps. Michael Wiese's books are road signs."
Mary J. Schirmer, absolutewrite.com
Mary J. Schirmer
Absolutewrite.com"The first step in the difficult journey of filmmaking and screenwriting is knowledge of the craft and industry. The books from Michael Wiese Productions will start you in the right direction and serve as reliable reference points on your path to success."
Shelly Mellott, Script Magazine
FinalDraft.com“I was an avid consumer of Michael's books on the media business; so, it was a great pleasure, and honor to work with him on the PBS Home Video label at Pacific Arts. As an industry expert and former acquisitions executive at a respected home entertainment company, Michael provided great insight for identifying marketable product, and negotiating the licenses for distribution. Titles such as "The Astronomers," "Eyes on the Prize" and "Masterpiece Theatre" were tentpole releases in the early days of PBS Home Video. His efforts were key to establishing the success the label enjoys today. I am happy (and not at all surprised) to see he has achieved much success in his multi-faceted career.”
Greg Boegner , Director, Acquisitions , Pacific Arts & PBS Home Video
Greg Boegner“As Director of Eastman Kodak's Worldwide Student Filmmaker Program, I had the pleasure of working with Michael for several years presenting workshops for student filmmakers at the International Cannes Film Festival. Kodak sponsored student interns (over a hundred) working in The American Pavilion during the Cannes film festival---these interns were students interested in production and the motion picture business from dozens of the top film schools in the US and Canada, and around the world. For several years in the early 2000s, Michael presented a full day workshop to these interns which dealt with independent film production, financing, development, and marketing and distribution. Of all the great things that happened to these students while at Cannes, Michael's seminar was always a distinct highlight of their experience. He is a natural presenter who knows the nuances of the entire spectrum of independent production from a true insider's perspective. He was spontaneous and creative with the students, and very skilled at involving them with Q&A and other activity. His development tutorials are still being talked about by those who were there. The students always gave him high marks, he delivered on Kodak's goals to promote film and understanding of the business, and it was a delight working with such an accomplished professional.”
John Mason, Director of Eastman Kodak’s Worldwide Student Filmmaker Program