This article posted with permission from The Writers Store. (http://writersstore.com) The purpose of story, as I see it, is to guide us to our full potential and the nature of story is to conceal that purpose in an enticing sugar coat (the entertainment dimensions) that lures us into the experience. But if the purpose is [...]
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Testimonials“Michael and I were in many team meetings that planned the overall "on-air" marketing strategy and program planning "glue" that is interstitial programming (tune-ins, animation, bumpers, promos, shorts, interviews, etc.). I worked closely with Michael, as program research director, in helping determine what the goals and success metrics of that programming were from consumer perspective. I remember specifically Michael's ability to accommodate the needs of so many different departments within Showtime leveraging the interstitial programming as an asset. I learned a lot from him, as well. His creative, executional and managerial insight were impressive and I recall in what high regard he was held.”
Jerilyn Kessel , Director Program Research, Showtime Networks
Jerilyn Kessel“As Director of Eastman Kodak's Worldwide Student Filmmaker Program, I had the pleasure of working with Michael for several years presenting workshops for student filmmakers at the International Cannes Film Festival. Kodak sponsored student interns (over a hundred) working in The American Pavilion during the Cannes film festival---these interns were students interested in production and the motion picture business from dozens of the top film schools in the US and Canada, and around the world. For several years in the early 2000s, Michael presented a full day workshop to these interns which dealt with independent film production, financing, development, and marketing and distribution. Of all the great things that happened to these students while at Cannes, Michael's seminar was always a distinct highlight of their experience. He is a natural presenter who knows the nuances of the entire spectrum of independent production from a true insider's perspective. He was spontaneous and creative with the students, and very skilled at involving them with Q&A and other activity. His development tutorials are still being talked about by those who were there. The students always gave him high marks, he delivered on Kodak's goals to promote film and understanding of the business, and it was a delight working with such an accomplished professional.”
John Mason, Director of Eastman Kodak’s Worldwide Student Filmmaker Program
FilmBigIsland.com“Michael is an astute publisher who knows how, with his colleague Ken Lee, to take care of a writer and promote his work in innovative ways. Working with him has been a very pleasant learning experience. I highly recommend him in any of his endeavors.”
Paul Chitlik , Professor , UCLA
“I first met Michael when he was at Vestron Video and I was Editorial Director/Publisher at Videography magazine....some 30 years ago. Over the years we have both travelled many career paths, but Michael continues to amaze and inspire me in his chosen roles as successful book publisher, filmmaker and entrepreneur. What began has a professional relationship grew into a friendship that remains to this day. I won't list his credentials. You can find those elsewhere. What I will gladly attest to is his character, creativity, and loyalty. In short, a good man.”
John Rice , Publisher/Editorial Director, PSN/Media Horizons
KoMediaGroup.com"The first step in the difficult journey of filmmaking and screenwriting is knowledge of the craft and industry. The books from Michael Wiese Productions will start you in the right direction and serve as reliable reference points on your path to success."
Shelly Mellott, Script Magazine
FinalDraft.com“Michael is a real pro in everything he does; efficient and with vision. Good to have in your network.”
Julian Friedmann , Director, Publisher, Editor, ScriptWriter Magazine
BlakeFriedmann.co.uk“The field of books about the entertainment industry has become cluttered with publishers who dabble in the area without a specific focus on it. Michael Wiese is one of the best publishers in this field because he specializes in this area and consistently selects authors that have an actual mastery of their subject and can communicate their knowledge effectively. I am proud to be associated with Michael Wiese.”
Catherine Clinch , Associate Publisher, Creative Screenwriting Magazine/Screenwriting Expo
MomsDigitalWorld.com“Michael is a smart, author-friendly publisher, expert in the field of filmmaking, who always looks for creative ways to put the leading titles on the market, and to promote those titles into a leading position in the market.”
Chris Riley , Author, The Hollywood Standard, Michael Wiese Productions
ScriptHollyWood.com"I've read many of Michael Wiese's line of books, and I haven't found a clinker among 'em. The writers are people in the trenches, people who've been there and done that. Further, they've come out the other side wiser, braver, and willing to share their insights. Since the bewildering field of film slides between craft and art, a new or experienced filmmaker needs some maps. Michael Wiese's books are road signs."
Mary J. Schirmer, absolutewrite.com
Mary J. Schirmer
Absolutewrite.com“Michael, as a filmmaker himself, understands more than other publishers the artistry of TV and filmmaking. It was my great pleasure and honor to have him and MWP publish my humor how-to, WHAT ARE YOU LAUGHING AT? The creative freedom and support he gave me were idyllic.” Ja
Brad Schreiber , Vice President, Storytech Literary Consulting
BraShcyber.com“Michael Wiese is one of those rare breed of seminar providers: He's a practitioner as well. With hours and hours of incredibly useful antidotes and insider tips, Michael left us all breathless and inspired.” Elliot Grove, Founder and Director of Raindance, London