Film Script Writing – What Works, What Doesn’t

Film script writing is not easy. In fact, this is one of the most complicated and challenging types of creative writing productions that you can take on. You should learn how to develop ideas, brainstorm, and look at the bigger picture while also being able to zoom in on the little details in your mind. You should know your genres, and know which ones you want to work in. When it comes to film script writing, you can easily make your end product much better if you already know what you’re dealing with.

By choosing film script writing projects in genres that you are familiar with, you will save yourself a lot of research and avoid many common errors that vary from one genre to the next. You should also think about what actors might want to be in your movie, or which people would fit the parts that you have created best. There is a lot of thought and creativity that goes into film script writing, and you should be able to take the words of your script and create a blueprint, if you will, that shows you what every little detail will look like in the form of a film once it is off paper.

Film script writing can go very wrong if you try to do something that you’re not familiar with. Writing about topics or within genres that you don’t understand or know much about might seem like a fun challenge to broaden your horizons, but it can actually prove to be detrimental to your final product because the quality won’t be as high. You should never just write a script and be done with it. You have to have a vision, and turn that vision into a script. Once you have done that, you must make that script become a reality that is aligned with your vision that you initially had.

Successful film script writing takes a lot of effort. You cannot rush through the process or try writing scripts that you know nothing about. The best stories come from people who have experience or knowledge of a topic, or who write about personal experiences for the ultimate knowledge of what is going on. Becoming a screenwriter is not going to be easy, but by knowing what works and what doesn’t it should be much simpler than it would be otherwise. Keep these things in mind when working on your film script writing projects.

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Michael Wiese Productions has been providing film script writing tips to filmmakers http://www.mwp.com where you’ll find more free resources about film script writing, writing screenplays, filmmaking books, and interesting screenwriting books. and professionals.

“A Gift of Sacred Things: Meeting With Bali’s Spiritual Masters

“A Gift of Sacred Things: Meeting Bali’s Spiritual Masters”

I set off to Bali with Alberto Roman (philospher and shamanic musician) who had worked with me on “The Shaman and Ayahuasca” (now in post production). The idea was to explore Bali’s concept of Niskala – or ‘the unseen world’. The Balinese spend 50% of their lives in temple ceremonies and rituals appeasing the unseen gods and demons that inhabit and influence their world. We wanted to meet and film people who are mediums and spiritual practitioners between these two worlds. And Bali is filled with them. Read more

Bali Brothers – Publishing the script as a book

BALI BROTHERS – Publishing the film script as a book

Scripts are usual secret documents that are only shared initially with actors, department heads and financiers. I took quite an opposite approach and just published the script which is now available in all bookstores and on Amazon BEFORE the film has been made. This is the rationale behind such madness. mw Read more

In Memory of Pablo Amaringo

Pablo Amaringo’s Vision

Almost exactly two months ago, my wife and I, and Alberto Roman were in Pulcalpa Peru interviewing Pablo for a book and a film. When we first arrived and met him he was beaming with love and warmly welcomed us. To honor him, I presented him with a white Tibetan khata (scarf). He was delighted and even though it was 90 degrees outside he never took it off. Here is a transcription of one of the first things he said to us which gives us comfort in these hours since his passing. Clearly this was a prophetic dream. Read more

Major Influence: Buckminster Fuller

I’ve started to build a Youtube channel and I realize that I search existing videos many of my early influences can be found. One of my first searches with for Buckminster Fuller.

I started reading anything I could get my hands on by Buckminster Fuller when I lived in Japan in 1970. Japan – in its rush to be as futuristic as possible – was the perfect setting. Bucky said things that I had not heard before. He said that we can use design science to make the world work bringing everyone around the world out of poverty and to a standard of living level equal to what the world’s greatest powers now enjoy. He went on to prove Malthus and the common belief of scarcity in the world as quite wrong. Read more

Step by Step

Every filmmaker or author wants to get their work out into the world and move their new work forward. These thoughts land on me every day when I get rise. A few days ago I was in London and had another screening of THE SACRED SITES OF THE DALAI LAMAS for the Tibet Foundation. The audience was small but often its quality not quantity that we should be looking for. As a result of the screening it looks like there may be five new screenings coming up, including one in the Dalai Lama’s home town of Dharmsala in India. This is very exciting! Read more

Cannes? Not this year.

Cannes is going on right now. I’ve been 5 or 6 times and decided to pass this year even though my sales agent is screening THE SACRED SITES OF THE DALAI LAMAS in the film market. But I’ve been to the film market screenings and its too painful to sit in a large theater with only half a dozen people – the first six of whom walk out before 10 minutes have lapsed. But this is not necessarily to be interrupted that they hate your film, just that they “got it” and have another screening to go to. Still, this screening environmnet is too hard on delicate filmmakers. Read more

LA Wrap Up

I leave Los Angeles tonight for London. It’s been a very full and action packed trip. Loads of fun, extremely productive. I worked on Bali Brothers, Sacred Sites, MWP Books and met many dear friends.

One highlight – of course – was the showing of SACRED SITES OF THE DALAI LAMAS at the Landmark Theater. We had two showings. The first was so packed people had to sit in the aisles. The second 9pm showing was almost full. Steve Dancz and I conducted a Q&A session after each showing. Read more

Hit the Ground Running

I’m halfway through this trip to LA. Tonite is the showing of SACRED SITES – a high water mark.

So far I’ve had meetings with our company’s bookkeeper and accountant, Debbie and Steve. These folks are terrific. Without the smooth infrastructure they provide, business would be impossible. Each time we meet we find better ways of doing things – which is also the goal of the upcoming “Publishing University” which we are holding for 30 authors on Saturday. Read more

Between London and LA

I’m in Heathrow airport – a kind of holding tank purgatory. Not quite London and certainly not yet LA. Last night I had dinner with Phil Barantini and Rebecca Grant – two of the leads for the upcoming film BALI BROTHERS. It’s very exciting to begin the process with them developing their characters. I gave them some books on Bali and homework assignments to start writing their character’s back stories. If the financing gods are willing we expect to shoot in Bali in August 2008. Read more

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